‹Pantaflix› Movie Stream Ready Player One

Audience score=338699 Vote.
ratings=8,2 of 10.
140 min.
Star=Olivia Cooke.
Year=2018

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I have a summary for you. It’s the first rose ceremony of the movie and the drama is already ratcheted up! Two very different men – Blake and Dylan – have their hearts set on handing their rose to Hannah G., but who will offer it to her and will she accept?

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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How long have you fallen asleep during Ready Player One Movie? The music, the story, and the message are phenomenal in Ready Player One. I have never been able to see another Movie five times like I did this. Come back and look for the second time and pay attention.

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So we get more space adventures, more original story material and more about what will make this 21st MCU movie different from the previous 20 MCU films.

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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The notion of pairing a film about Pop Icons with a Director who is himself one (not to mention creating much of the iconography within the story-line) should, in theory, have resulted in either something grand or a fascinating disaster. But, as with much of Spielberg’s work over the past decade or more, it ends up landing softly in between.
The plot is pretty simple even with all the high tech diversions. In the future (2045) an eccentric Game Developer Halliday (Mark Rylance, fine as always) has created the ultimate VR world where we are told millions chose to spend much of their ‘waking’ hours – Oasis. When Halliday passes on, he leaves behind the ultimate ‘Easter Egg. solve three clues, and you can inherit the rights to Oasis. Halliday is like a kinder, friendlier combination of Bill Gates, Steve Jobs and Mark Zuckerberg (complete with elbowing out his co-founder Morrow (Simon Pegg. Our young hero Wade (Tye Sheridan) and heroine Samantha (Olivia Cooke) use their knowledge of Halliday and Oasis to try and decipher the riddle. Coming up against them is a generic corporate baddie Sorrento (Ben Mendelsohn.
Of course, a film like this isn’t about the plot as much as it is about the visuals and effects, and, ever the pro, Spielberg has assembled a talented team to pull those off admirably. His long-time Cinematographer Janusz Kaminski shot as much of the movie on film as feasible, but, with all the CGI parts were digitally captured and rendered. I saw it on 70mm film and it looked very good even if a movie about VR isn’t the best usage of the medium. And, of course, much of the joy/task of watching R.P.O. will be a game of ‘Spot The Pop Culture Reference’ Many of the images are so densely packed that it is impossible to see them on all in one viewing. This is one Blu Ray/Stream that will re-watched over and over by many.
There is fun to be had with R.P.O. even if it never truly takes off. The cast is game. The concept is understandable, and the payoff is suitably well delivered. But, without being ageist – this is very much a film from an older man’s perspective. All the 80s and 90s references are explained as being from Halliday’s childhood, but, it certainly doesn’t help make the movie seem any less an exercise in half-baked nostalgia. Would kinds two decades from now really find pop culture artifacts from 65 years earlier to be the hippest thing on earth (and, in the case of Harryhausen’s Cyclops – nearly 90 years. A few more nods to the 21st century would have been nice. Couldn’t the bland white middle-aged evil Sorrento have been a woman? A minority? A robot? But, this plays very plays like a movie that could have been made in the 80s if CGI technology had existed. As one friend said, it’s like a Spielberg 80s movie – not one he Directed, but that he produced. i.e. BACK TO THE FUTURE, THE GOONIES, batteries not included etc… Instead of his usual composer John Williams, we get Zemeckis fave Alan Silvestri who contributes another of his 2nd rate Jerry Goldsmith-like scores.
READY PLAYER ONE is a decent diversion. Spielberg is such a master that even when he outright fails (B.F.G., HOOK) his professionalism never allows them to be truly awful. And, maybe, that’s a problem with his more recent work. If you don’t take big risks, you rarely achieve greatness. R.P.O. isn’t bad, but, it’s oh so safe.

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